The final part in composer Daniel Elms' series on the creation of 100 DEMONS.
I always find that it is one thing to create the pre-composition of a new work and another thing entirely to use those creations in musical and intuitive ways. Often, sticking to a formula rigidly is — in my mind — counterintuitive to the art and act of composition. It took me many months of working with the harmony, the recorded material, the folkloric and theatrical influences before I was at a stage where I could use the pre-composition in a natural way and achieve a state of creative “flow”. But it was the enthusiasm and passion of Manchester Collective, a bold ensemble, unafraid to explore the distinction between music and other mediums, who breathed life into the notes on the page and the ideology that underpinned them.